1964年生於德國慕尼黑 現居住於柏林
2002
Lenbachhaus, Munich.
Castello di Rivoli, Turin.
SITE Santa Fe, Santa Fe.
Hof, Schipper & Krome, Berlin.2001
Aspen Art Museum, Aspen.
Thomas Demand con Caruso St. John architetti, Galleria d'arte moderna di Palazzo Pitti, Florence.
De Appel, Amsterdam.
ArtPace, San Antonio, Texas.
Sprengel Museum, Hannover.
303 Gallery, New York.2000-2001
Fondation Cartier pour l'art contemporain, Paris.
Victoria Miro Gallery, London.
Monika Sprüth Gallery, Cologne, Germany.
Galerie Peter Kilchmann, Zürich.2000
Foundation Cartier pour l´art Contemporain, Paris; Victoria Miró Gallery, London; Galerie Monika Spürth, Cologne; Galerie Peter Kilchmann, Zürich.1999
Tunnel, Art Now 17, Tate Gallery, London Tate Gallery, London.1998
Kunsthalle Zürich, traveled to Kunsthalle Bielefeld; 303 Gallery, New York; Galerie Schipper&Krome, Berlin; Galería Monica de Cardenas, Milan, Italy; Kunstveiren Freiburg, Germany.1997
Monika Spruth Gallery, Cologne.
Centre d'art contemporain de Vassiviere en Limousin, Limousin.
Victoria Miro Gallery, London.1996
Galerie de l'ancienne Poste, Le Channel, Calais.
Galerie Tanit, Munich.
Max Protetch Gallery, New York.1995
Victoria Miro Gallery, London.
Galerie Guy Ledune, Brussels.1994
Galerie Tanit, Cologne .
Galerie Blancpain-Stepcynski, Geneva.1992
Galerie Tanit, Munich.
Forderkoje Art Cologne, Cologne.1991
Galerie Guy Ledune, Brussels.2002
Screen Memories, Art Tower Mito, Contemporary Art Centre, Japan.
Paarungen, Berlinische Galerie, Berlin.
non places, Frankfurter Kunstverein.
Trade, Nederlands Foto Institut, Rotterdam.
In Szene gesetzt, Museum fur Neue Kunst, ZKM Karlsruhe.2001
Televisions, Kunsthalle Wien.
Und keiner hinkt, Kunsthalle Düsseldorf, Germany.
Ich bin mein Auto, Kunsthalle Baden-Baden.
Biennale de Lyon, Lyon.
Trade, Fotomuseum Winterthur.
Public Offerings, Museum of Contemporary Art, Los Angeles.
Klasse Schwegler, Kunstmuseum Kleve.
Tempted to Pretend, Kunsthalle Kaufbeuren.
Big Nothing, Kunsthalle Baden-Baden.2000
Open ends. 11 Exhibitions of Contemporary Art from 1960 to Now_ Sets and situations, The Museum of Modern Art, New York.
Supermodel, Massachusetts Museum of Contemporary Art, MASS MOCA.
Les rumeurs urbaines/Urban Rumours, FriArt, Fribourg.
La forma del mondo/la fine del mondo, Padiglione Arte Contemporanea, Milan.
Vision and Reality, Louisiana Museum of Modern Art, Humlebaek.
Perfidy, Convent of La Tourette, l'Arbresle, France.
Die scheinbaren Dinge, Haus der Kunst, Munich
Négociations, CRAC-Centre Régional d'Art Contemporain, Sète, France.
Deep Distance, Die Entfernung der Fotografie, Kunsthalle Basel.
The Age of Influence, MCA, Chicago.
Cross-Roads. Artists in Berlin, Sala Plaza de Espana de la Comunidad, Madrid.1999/2000
Carnegie International 1999/2000, Carnegie Museum of Art, Pittsburgh.1999
Can you hear me?, 2nd Ars Baltica Triennial of Photographic Art, Stadtgalerie im Sophienhof, Kiel;Kunsthalle Rostock.
Children of Berlin, PS1, New York.
Kraftwerk Berlin, Aarhus Kunstmuseum, Denmark.
Flashes, Tendências contemporâneas, Coleção Fondation Cartier, Centro Cultural de Belém, Lisbon, Portugal.
Objects in the rear view mirror may appear closer than they are, Galerie Max Hetzler, Berlin.
Wohin kein Auge reicht-1. Triennale der Photographie, Deichtorhallen, Hamburg.
Reconstructing Space: Architecture in Recent German Photography, The Architectural Association, London.
Insight Out. Landschaft und Interieur als Themen zeitgenössischer Photographie," Kunstraum Innsbruck; Kunsthaus Hamburg (Phototriennale Hamburg); Kunsthaus Baselland, Switzerland.
Photography. An Expanded View. Recent Acquisitions, Solomon R. Guggenheim Museum, New York.1998
Berlin/Berlin," part of the Berlin Biennale, Berlin-Mitte.
every day, The 11th Biennale of Sydney, Museum of Contemporary Art and other venues, Sydney.
Vollkommen gewohnlich, Kunstverein Freiburg im Marienbad; Germanisches Nationalmuseum Nurnberg; Kunstverein Braunschweig; Kunsthalle zu Kiel; Kunstsammlung Gera.
Exterminating Angel, Galerie Ghislaine Hussenot, Paris.
Artificial, MoCBA, Barcelona.1997
Stills: Emerging Photography in the 1990's," Walker Art Center, Minneapolis
Demand/Ketter," Peter Kilchmann, Zurich.
Positionen kunstlerischer Photographie in Deutschland seit 1945," Berlinische Galerie, Martin-Gropius-Bau, Berlin.
Transit, Centre National des Arts Plastiques/EnsbA, Paris.
The Set Up, Demand, Crewdson, Morimura, Galerie Barbara Farber," Amsterdam.1996
New Photography 12, Museum of Modern Art, New York.
Raumbilder-Bildräume, Museum Folkwang, Essen, Germany.
PassionsProspect 96, Kunstverein Frankfurt, Frankfurt.
Fotografia nell'arte tedesca contemporanea, Galleria Gian Ferrari, Milan.
Radical Images, Johanneum, Steir. Landesmuseum, Graz.1995
Ars Viva 1995, Thomas Demand, Wolfgang Tillmanns, Barbara Probst und Jochen Lempert, Anhaltische Gemaldegalerie, Dessau, Frankfurter Kunstverein, Nurnberger Kunsthalle.
Herbert Hamak, Thomas Demand et Stephen Dean," Galerie Renos Xippas, Paris.
Ulrich Meister und Thomas Demand," Galerie Christian Gogger, Munich.
Morceaux Choisis," Le Magasin, Grenoble.1994
Scharf im Schauen, Haus der Kunst, Munich.1993
Het Intelectuele Geweeten van de Kunst, Galerie D'Eendt, Amsterdam.


























