Born in 1947 in Beaune, France, Bruno Latour is now professor emeritus associated with the médialab and the program in political arts (SPEAP) of Sciences Po Paris. Since January 2018 he has been a fellow at the Zentrum für Kunst und Media (ZKM) and professor at the Karlsruhe University of Arts and Design (HfG), both in Karlsruhe, Germany. A member of several academies and recipient of six honorary doctorates, he received the Holberg Prize in 2013. He has written and edited more than twenty books and published more than 150 articles. The major international exhibitions he has curated are: Iconoclash Beyond the Image Wars in Science, Religion and Art with Peter Weibel in 2002, Making Things Public: Atmospheres of Democracy in 2005, and Reset Modernity! in 2016. The catalogs of all three exhibitions are published by MIT Press. He is now a member of curatorial committee at ZKM for the ongoing exhibition Critical Zones, Observatory for Earthly Politics.

Martin Guinard is an independent curator based in Paris, with a background in visual arts and art history. He has worked on several interdisciplinary projects dealing with the topic of ecological mutation. He has collaborated with Bruno Latour on several international projects over the last few years, including Reset Modernity! at ZKM in 2016 as well as a reiteration of the project through two workshop platforms in different geographical contexts: the first in China, Reset Modernity! Shanghai Perspective as part of the 2016 Shanghai Project; the second in Iran, Reset Modernity! Tehran Perspective curated with Reza Haeri at the Pejman Foundation and the Institute of History of Science of Tehran University. He is now a member of curatorial committee at ZKM for the ongoing exhibition Critical Zones, Observatory for Earthly Politics.

Eva Lin is an independent curator known for curating at unconventional venues to engage in experiments that constitute her interdisciplinary practice. Lin’s dynamic interests drive her into alternative thinking and response to cultural production in diverse forms in order to extend the agency and force of art. Her recent curatorial projects include Parallax: Damage Control (2017), The Hidden South (2018), The Upcoming Past (2019), Ryoji Ikeda Solo Exhibition (with Jo HSIAO; 2019) and the 7th Taiwan International Video Art Exhibition – ANIMA (with Wei YU; 2020). She is now the art director of mt.project.