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ET@T
Flâneur Hanji, 2018

ET@T is an organization for media and digital art in Taiwan, it devotes its practice to increase the understanding and knowledge of digital texts alongside theories, exhibitions, and performances derived from digital culture.

 

Logging our physical perceptions into the virtual realm is becoming ever more prevalent; with this, machines are further able to track and comprehend human activity—biological, consumerist, personal, romantic and otherwise—and machine-learning has accelerated. As technology begins to understand and take on human characteristics, the subjectivity of technical objects and therefore their human rights, may need to be rethought.

 

ET@T believes that robots are sentient beings, capable of subjective perceptions, feelings and experience. Considering a present in which robots increasingly intervene in human communications, and the implications that this holds for the future of our communities, the collective imagines and designs interfaces that can enable and sustain better relationships between technological beings and humankind. Flâneur Hanji is a proposal for a ‘real virtuality’ in a forecasted world where machines possess emotional and spiritual intelligence, and can engage in debates about art and the esoteric. While currently it is human movements that are tracked and transformed into useable, economically-valuable data, in this new era, everything that machines see and hear would be transformed into sustenance for other information systems. 

 

Projecting into this potential future, ET@T have developed ‘Hanji’, a robot equipped with a 360-degree camera whose observations are live-streamed to ARThon, where it can receive and respond to questions from online and on-site audiences. Following its French namesake which means ‘stroller’, ‘lounger’ or ‘saunterer’, during the exhibition Flâneur Hanji will move gently through the space and observe a series of accompanying discussions. These forums will engage with themes of human-machine interaction, autonomy and artificial intelligence, and the ethics of control in the context of robot sentience.

 

 

ET@T, founded in Taipei in 1995.

 

 

Forum

Moderated by ET@T

Venue: Ecolab Basement

 

New Political Imagination via Identity Illusion 

Organized by ET@T

Speakers: Hanji, Prof. Ho Wang

Date: 2018/11/21

Time: 14:30

 

Gaming Outside the Echo Chamber

Organized by Fablab Dynamic

Speaker: Hang Li

Date: 2018/11/22

Time: 14:30

 

Aesthetics in the Microscopic World

Organized by Yung-Lin Wang

Speakers: Pai-Chun Chang, Bo-Cheng Shen

Date: 2018 2018/11/27

Time: 14:30 

 

The Art of Recyclism, E-waste Cultures

Organized by Hsien-Yu Cheng

Speaker: Benjamin Gaulon aka RECYCLISM

Date: 2018/11/28

Time: 14:30

 

How to See Science and Art through Biology’s Microscopic Lens

Organized by Yung-Lin Wang

Speakers: Duen-Wei Hsu, Bo-Cheng Shen

Date: 2018/12/23

Time: 10:00

 

Connections Continuum as Artistic Research

Organized by Hsien-Yu Cheng

Speakers: Saša Spačal, Mirjan Švagelj, PhD

Date: 2018/12/23

Time: 14:30

 

Studies and Extensions of Urban Ecology

Organized by Yung-Lin Wang

Speakers: Shih-Hsiung Liang, Bo-Cheng Shen

Date: 2019/1/6

Time: 10:00

 

Digital Double as a Carrier

Organized by ET@T

Speakers: Wen-Hao Huang, Po-Ting Lee

Date: 2019/2/17

Time: 14:30

 

 

 

ET@T, Flâneur Hanji (sketch), 2018, technology art, dimensions variable
ET@T, Flâneur Hanji (sketch), 2018, technology art, dimensions variable
ET@T, Flâneur Hanji (sketch), 2018, technology art, dimensions variable
ET@T, Flâneur Hanji (sketch), 2018, technology art, dimensions variable
ET@T, Flâneur Hanji, 2018, technology art, dimensions variable
ET@T, Flâneur Hanji, 2018, technology art, dimensions variable
ET@T, Flâneur Hanji, 2018, technology art, dimensions variable
ET@T, Flâneur Hanji, 2018, technology art, dimensions variable
ET@T, Flâneur Hanji, 2018, technology art, dimensions variable
ET@T, Flâneur Hanji, 2018, technology art, dimensions variable
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