08

Since the 1990s, art has highlighted the social sphere and held inter-human relations, whether individual or social, friendly or antagonistic, to be the main domain of reference. The aesthetic atmosphere seems to have changed, as evidenced by the immediate success of speculative realism in the field of art. In truth, relational art has reaped its greatest censure for still being too anthropocentric or humanist, considering humans as an aesthetic or political milieu, and even extending its range invasively into the realms of objects, networks, nature and machinery, in a manner deemed by some as old-fashioned or unbearable.

This involves a certain amount of bad faith, because art as a whole advocates on behalf of humanity. And the major political issue of the twenty-first century is precisely the return of humanity, to all the areas we have vacated: computerized finance, delivered in mechanically regulated markets, but primarily in policies fixed on the sole objective of profit.