Bibliography/Selected Reviews and Articles
Oladélé Ajiboyé Bamgboyé, Where's the Art?, 2000 Videobrasil, Videobrasil, Sao Paulo, Brasil, 2000.Oladélé Ajiboyé Bamgboyé, Negotiating the Double Bind - Overcoming the Passé of the so-called ‘Inclusive’ Art Exhibition, South Meets West, Kunsthalle Bern, Switzerland, 2000.Oladélé Ajiboyé Bamgboyé, Where’s the Art?, Co@rtnews Southern African Review of Contemporary Art and Culture, no. 3, Johannesburg, South Africa, 2000.Solange Oliveira Farkas and Clive Kellner, Oladélé Ajiboyé Bamgboyé, Mostra Africana de Arte Contemporânea, Videobrasil, SESC Pompéia, Sâo Paulo, Brasil, 2000.Virginia Button, Oladélé Ajiboyé Bamgboyé, New British Art 2000: Intelligence, Tate Britain, London, 2000.Barbara Vanderlinden, Oladélé Ajiboyé Bamgboyé, The Vincent van Gogh Bi-annual Award for Contemporary Art in Europe, Bonnefantenmuseum, Maastricht, Holland, 2000.Horace Brockington, Oladélé Ajiboyé Bamgboyé, The Unmasking, Part II and Earlier Photoworks. Strangers & Paradise, O.A. Bamgboyé Works 1991-2000, New York Arts Magazine, July/August 2000, p. 49.Scott J. Budzynski, Oladélé Bamgboyé, The Unmasking, Part II, New York Arts Magazine, July/August 2000, p. 77.Joy Garnett, Oladélé Bamgboyé, The Unmasking, Part II, artnet.com Magazine, 2000.Holland Cotter, Oladélé Bamgboyé, New York Times, May 12, 2000.Karen E. Jones, Oladélé Bamgboyé, The Unmasking, Part II and Earlier Photoorks, Time Out New York, Issue 245.Marja-Tertu Kivirinta, Oladélé Ajiboyé Bamgboyé Mediataide sai uuden gallerian Tennispalatsiin, Helsinki Sanomat, April 1, 2000.Okwui Enwezor and Olu Oguibe, Oladélé Ajiboyé Bamgboyé, Reading Contemporary African Art from Theory to the Marketplace, Institue of International Visual Arts (inIVA),1999.Oladélé Ajiboyé Bamgboyé, Negotiating the Double Bind - Overcoming the Passé of the so-called ‘Inclusive’ Art Exhibition, Trafique, Stedelijk Museum voor Actuele Kunst Gent, Belgium, 1999.Okwui Enwezor, Oladélé Ajiboyé Bamgboyé, Cream - Contemporary Art in Culture, Phaidon Press, London, 1998.Odili Donald Odita, “Oladélé Ajiboyé Bamgboyé” Global Art, Flash Art Magazine, Summer, 1998Oladélé Ajiboyé Bamgboyé, The Aesthetics of the Mistaken Identity, Transatlántico Centro Atlántico de Arte Moderno Las Palmas de Gran Canaria, 1998.O. Donald Odita, Movement and Real Time in the Work of Oladélé Ajiboyé Bamgboyé, Jornal de Exposiçao, n.32, Culturgest, Lisbon, Portugal, 1998.Franklin Sirmans, Johannesburg Biennale Report, Flash Art Magazine, Jan/Feb, 1998.Oladélé Ajiboyé Bamgboyé, The Aesthetics of the Mistaken Identity, Jornal de Exposiçao n.32, Culturgest, Lisbon, Portugal, 1998.Documenta X Review, Kunstforum, no. 13, 1997.Documenta X- The Book illustrated, p. 35, Cantz, Germany, 1997.Artist Statement, Documenta X - Short Guide/Kurzführer, pp. 28-29, Cantz, Germany, 1997.Peter Weiermair, Oladélé Bamgboyé, Inclusion/Exclusion - Kunst im Zeitalter von Postkolonialismus und globaler Migration, Graz, Austria, pp. 142-145, 1997.Claire Bell, Octavio Zaya and Okwui Enwezor, In/Sight: African Photographers -1940 to the Present, Guggenheim Museum, New York, 1996.Peter Weiermair, Prospect 96, Frankfurter Kunstverein und Schirn Kunsthalle, Frankfurt, Germany, 1996.Okwui Enwezor, Occupied Territories: Power, Access and African Art, Frieze Magazine, February,1996.Okwui Enwezor and Octavio Zaya, Contemporary African Art, Flash Art Magazine, January, 1996.Kobena Mercer, Self-Evident, Ikon Gallery, Birmingham, England, 1995.Angela Kingston, Freedom, Amnesty International Glasgow, England, 1995.Frits Gierstberg, Counter-Culture, Foto International Rotterdam, 1995.Peter Weiermair, Oladélé Ajiboyé Bamgboyé, BE Magazin, no. 1, Künstlerhaus Bethanien, Berlin, 1994.Andrea Fatona, Black Male Sexuality, Video Out, Vancouver, Fall, 1991Murdo McDonald, Either/Or, Artscribe International, November,1990.1989
Martha Langford, Anima Mundi: Still Life in Britain, Canadian Museum of Contemporary Photography, 1989.Photography Month in Montreal, CMCP Ottawa, Canada, 1989.
